Home
AudioAsylum Trader
Films/DVD Asylum

Movies from comedy to drama to your favorite Hollyweird Star.

For Sale Ads

FAQ / News / Events

 

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.

You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login


Login to access features only available to registered Asylum Inmates.
    By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username:

The Name that you picked or by default, your email.
Forgot Moniker?

 
 

Examples "Rapper", "Bob W", "joe@aol.com".

Password:    

Forgot Password?

 Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:  
Your Email:  
Subject:  

Message Comments

   

Original Message

"The Wind Will Carry Us:" from Iranian director, Abbas Kiarastomi comes

Posted by tinear on January 31, 2013 at 08:37:20:

the story of a frenetic television producer who has traveled to a remote village to capture the death of the area's oldest resident. To his continuing alarm, the old woman refuses to die, leading him and his crew to spend long days, completely shut off from their usual lives and forced to live the village one.
You won't recognize any of the clichés of small town life that American films feel compelled to include, i.e. the rube; the desperate single women trying to escape, etc.
Instead, the director films a documentary-like take of the town, leading us to wonder whom the subject of this effort is--- perhaps a self-portrait?
For much of the movie, we are lulled into this peaceful village life, until an emergency occurs and the producer meets an old doctor who journeys to his clients through the vast countryside upon a small motorbike.
As is typical with this "school of Tarkovsky" film, dialogue doesn't give away very much. The viewer is expected to analyze even the smallest details to develop his own narrative.
It is a fascinating view not of Iranian rural life, but of modern civilization and what it has meant to human life.
(Indeed, we discussed this film almost 7 years ago and I am pleased to report that it very much rewards another view).