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Movies from comedy to drama to your favorite Hollyweird Star.

Alfred Hitchcock cameos


THE LODGER (1926)
At a desk in a newsroom.


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BLACKMAIL (1929)
Being bothered by a small boy as he reads a book in the subway.


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MURDER (1930)
Walking past the house where the murder was committed, about an hour into the movie.


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THE 39 STEPS (1935)
Tossing some litter while Robert Donat and Lucie Mannheim run from the theater, seven minutes into the movie.


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YOUNG AND INNOCENT (1938)
Outside the courthouse, holding a camera.


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THE LADY VANISHES (1938)
Very near the end of the movie, in Victoria Station, wearing a black coat and smoking a cigarette.


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REBECCA (1940)
Walking near the phone booth in the final part of the film just after George Sanders makes a call.


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FOREIGN CORRESPONDENT (1940)
Early in the movie, after Joel McCrea leaves his hotel, wearing a coat and hat and reading a newspaper.


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MR. AND MRS. SMITH (1941)
Midway through, passing Robert Montgomery in front of his building.


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SUSPICION (1941)
Mailing a letter at the village postbox about 45 minutes in.


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SHADOW OF A DOUBT (1943)
On the train to Santa Rosa, playing cards.


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LIFEBOAT (1944)
In the "before" and "after" pictures in the newspaper ad for Reduco Obesity Slayer.


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SPELLBOUND (1945): Coming out of an elevator at the Empire Hotel, carrying a violin case and smoking a cigarette.

Criterion Collection DVD
Chapter 9 at 43:07


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NOTORIOUS (1946)
At a big party in Claude Rains's mansion, drinking champagne and then quickly departing, an hour after the film begins.

Criterion Collection DVD - Chapter 18 "The Party" at 01:04:39


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THE PARADINE CASE (1947)
Leaving the train and Cumberland Station, carrying a cello.


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STAGE FRIGHT (1950)
Turning to look at Jane Wyman in her disguise as Marlene Dietrich's maid.


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STRANGERS ON A TRAIN (1951)
Boarding a train with a double bass fiddle as Farley Granger gets off in his hometown, early in the film.


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I CONFESS (1953)
Crossing the top of a staircase after the opening credits.


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DIAL M FOR MURDER (1954)
On the left side of the class-reunion photo, thirteen minutes into the film.


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REAR WINDOW (1954)
Winding the clock in the songwriter's apartment, a half hour into the movie.


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TO CATCH A THIEF (1955)
Ten minutes in, sitting to the left of Cary Grant on a bus.


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THE TROUBLE WITH HARRY (1955)
Walking past the parked limousine of an old man who is looking at paintings, twenty minutes into the film.


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THE MAN WHO KNEW TOO MUCH (1956)
Watching acrobats in the Moroccan marketplace (his back to the camera) just before the murder.


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VERTIGO (1958)
In a gray suit walking in the street, eleven minutes in.


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NORTH BY NORTHWEST (1959)
Missing a bus during the opening credits.


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PSYCHO (1960)
Four minutes in, through Janet Leigh's window as she returns to her office. He is wearing a cowboy hat.


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THE BIRDS (1963)
Leaving the pet shop with two white terriers as Tippi Hedren enters.

Universal DVD - at 00:02:18


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MARNIE (1964)
Entering from the left of the hotel corridor after Tippi Hedren passes by, five minutes in.


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TORN CURTAIN (1966)
Early in the film, sitting in the Hotel d'Angleterre lobby with a blond baby.


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TOPAZ (1969)
Being pushed in a wheelchair in an airport, half an hour in. Hitchcock gets up from the chair, shakes hands with a man, and walks off to the right.


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FRENZY (1972)
In the center of a crowd, wearing a bowler hat, three minutes into the film; he is the only one not applauding the speaker.


FAMILY PLOT (1976)
In silhouette through the door of the Registrar of Births and Deaths, 41 minutes into the movie.

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Topic - Alfred Hitchcock cameos - rico 09:31:28 03/28/05 (4)


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