Films/DVD Asylum

Movies from comedy to drama to your favorite Hollyweird Star.

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.
You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login

By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username: The Name that you picked or by default, your email. Forgot Moniker?	Examples "Rapper", "Bob W", "joe@aol.com".
Password:	Forgot Password?
	Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:
Your Email:
Subject:

Message Comments

Original Message

Largely agree, however...

Posted by Steve O on July 31, 2019 at 18:14:32:
...I saw no apology for the Tate murders. I did see a somewhat preachy narrative holding Hollywood of the time responsible for the creeping normalization of violence in the culture. Interesting considering Tarantino's typical style and the slower pace and relatively subdued violence in this film. Overall I found the whole thing enjoyable in terms of the story, the casting, the acting and all the technical details, props, music etc. Did you catch the Dual
TT and Marantz 18 rcvr and the Wilhelm scream? More than a few reviews comment on how the film really captured a late 60s Hollywood. Wasn't there so I'll take their word for that part.
Since Tarantino filmed this with real photographic film, I'm gonna try and find someplace nearby showing it in 70mm and see it again as intended. On second thought, I won't see it in 70mm: nearest location is in another state. Oh well.