Home
AudioAsylum Trader
Films/DVD Asylum

Movies from comedy to drama to your favorite Hollyweird Star.

For Sale Ads

FAQ / News / Events

 

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.

You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login


Login to access features only available to registered Asylum Inmates.
    By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username:

The Name that you picked or by default, your email.
Forgot Moniker?

 
 

Examples "Rapper", "Bob W", "joe@aol.com".

Password:    

Forgot Password?

 Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:  
Your Email:  
Subject:  

Message Comments

   

Original Message

Sofia Coppola's latest, "Somewhere:" I wish

Posted by tinear on March 31, 2011 at 08:41:42:

it were.
Worth more than hundreds of tripe like, "Battle: LA," but still not a very satisfying effort.
A film megastar, portrayed in an opaque way by Stephen Dorff, the man who has labored for 15 years under the label, "the next Brando." But whereas Brando was splendid in another film about a suffering middle-age guy, Dorff gives us very little to chew on. Coppola is no Bertolucci. The best two things about the film: the daughter as played by Elle Fanning and the true star of the film, a black Ferrari.
SPOILER
It is a mistake to portray a bored person by only showing them in bored poses: that is editing with a vengeance and serves no purpose but to bore the audience. There is some wonderful stuff about Marco's relationship with his formerly estranged daughter, but in the climactic scene, Dorff disappoints: he just didn't portray grief very convincingly. And that final smile was an easy way out: we already knew where he was headed, that was an insecurity on the part of the director.