Films/DVD Asylum

Movies from comedy to drama to your favorite Hollyweird Star.

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.
You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login

By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username: The Name that you picked or by default, your email. Forgot Moniker?	Examples "Rapper", "Bob W", "joe@aol.com".
Password:	Forgot Password?
	Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:
Your Email:
Subject:

Message Comments

Original Message

RE: "Rembrandt's J'Accuse": Greenaway dissects The Night Watch

Posted by Rod H. on June 20, 2011 at 21:14:41:
I think this film, or perhaps "The Cook, the Thief..." was the one that prompted my wife to insist "No more Greenaway films".

But I did find it fascinating and intellectually stimulating. Greenaway is one of a kind, and his films are definitely not for everyone. He knows what he wants to do, and does exactly that. Got to admire him.

BTW, for some reason my wife liked "The Draughtsman's Contract", so I rented more, but none of his other films did a thing for her.