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Perhaps becuase of a conversation wiith my dinner and jazz group prior to a concert last evening (all done prior to the debate) when I got home after the long drive from Cambridge to cape Cod I watched most of D.W. Griffiths' masterpiece, "Intolerence". Made in 1916 after the controversial revsionist and racist "Birth of a Nation", "Intolerence" intermixes four stories from different historical eras with a common theme of intolerence and opression.
Each story is tinted a different hue. Although no more difficult to follow than, say, Godfather II or "Slaughterhouse Five", the Griffith outing takes a while to get into as he introduces more characters in the first 15 minutes than a Mary Higgins Clark mystery. 1916 is a long time ago and even as a seasoned silent film viewer, collector, and lover I find it hard to really take Griffiths' actors' style, anything but subtle, seriously.The ending is a tour de force of editing as the director and editor (cutter in that day's parlance) skillfully intermix the four climazes into an ever increasing tempo mix.
Though there is an orchestral score my laserdisc version has a perfectly acceptable organ sound track. You must be in the modd for this one but as a milestone in the history of cinema it should be seen at least once in your lifetime.
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Follow Ups:
and "Birth of a Nation" is as politically incorrect as it gets.
However; O'Henry died penniless and penned "The Cop and the Anthem" and he was as great a short stort writer as Maxim Gorky
D.W. Griffith died penniless too yet cinema owes him a helluva lot
In 1916 planes still had 2 or 3 wings and couldn't hit 100 mph; except in a dive
By 1981 the Saab Viggen flew 9 times the speed of sound, and movie theatre goers had vastly enhanced cultural expectations over their Edwardian predecessors (and THAT was 1/4 century ago!)
Don't knock the Unknown Welshman; he was an artist and a visionary.
All progress in culture is due to those rare individuals that have the courage to push the envelope
Plus ca change, plus de la memeGrins
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