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Scorsese's, "No Direction Home:" a must-see documentary though

97.125.118.212
Posted on February 2, 2010 at 21:08:18
tinear
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 its length overtaxes the material: the editor must have lost his notebook because there's a frightening amount of repetition.
Still, any Dylan fan will relish the interviews of Bob, his contemporaries, and critics--- and the narrative by the man himself is invaluable.
The performances? Many are sensational.
You'd think that Scorsese and Dylan would make for a truly landmark film but it doesn't approach those expectations. It is stylistically straight ahead and there are few surprises, few interviews with those that might give different insights or perhaps tarnish the halo.
But for a real fan, those are quibbles: a few hours of Dylan is good enough for me.

Did I click on the 2005 link by accident?, posted on February 2, 2010 at 22:20:47
Jazz Inmate
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 You didn't see this until five years after it was released?

As I said then, the most illuminating part of this documentary was showing how the anti-establishment acted when Dylan kicked it to the curb.
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We must be the change we wish to see in the world. -Gandhi
Yeah, I think this was released a few years ago., posted on February 3, 2010 at 04:54:07
PdL
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 Unless Tinear is referring to a new/updated version? I never caught this one when it was released, so any version is new to me!

RE: Scorsese's, "No Direction Home:" a must-see documentary though, posted on February 3, 2010 at 07:33:51
patrickU
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 ::::

Of course you continue to project YOUR disenchantment with, posted on February 3, 2010 at 08:01:19
tinear
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 the left onto Dylan.
His electric revolution had zero to do with politics and everything to do with music, i.e. electricity and rock. As far as his politics, he never said his songs were NOT anti-war or anything else. He made it clear his songs speak for themselves. He did make one statement that, in "A Hard Rain's a Gonna Fall," the "Rain" is not specifically atomic rain. That was it, he hated elaborating and refused many questions to do so.
You seem to forget that Bob was active in civil rights protests down South, that he sang on the Washington Mall during the famous March. "Talkin' John Birch Paranoid Blues" isn't the song of a right-winger, no matter how hard you try to spin it.
Sheesh.

Here's a 1985 Bob nugget:, posted on February 3, 2010 at 08:06:01
tinear
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 Go ahead, spin this as an endorsement of the Vietnam War, and others.
Speaking of which... Bob at the White House!, posted on February 3, 2010 at 10:59:06
musetap
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 Hopefully he'll be a bit more... coherent... with his interpretations of his classic songs in this performance than when I last saw him live
a few years ago. You had to wait to pick up a line or two before you could recognize what tune he was playing.

That's IF he decides to play any of his classic tunes at the WH.

One thing you can say about him is that he likes to keep folks on their toes, and he has NEVER been anything resembling uninteresting...

BTW: "No Direction Home" is a must see more than once.

" Once this was all Black Plasma and Imagination." -Michael McClure
Not projecting. Commenting on Pete Seeger's interview in NDH nt, posted on February 3, 2010 at 11:01:51
Jazz Inmate
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We must be the change we wish to see in the world. -Gandhi
Seeger was seething at Dylan's going electric, complaining about the noise and the fact, posted on February 3, 2010 at 11:50:27
tinear
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 that he left the folk establishment.
Absolutely nothing about Dylan changing his politics or having any hostility to either beats or folkies.

Re: Seeger was seething at Dylan's going electric, complaining about the noise and the fact, posted on February 3, 2010 at 13:26:24
Jazz Inmate
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 These anti-establishment types who act like they're the most tolerant people on the planet are the first ones to excommunicate you when you follow your individuality. The rage and seething at Dylan's early electric concerts illuminate a community that could not accept a young artist's growth. That is even more pathetic than church groups calling for censorship of certain artists. The church never did stand for individuality. What's the anti-establishment's excuse?
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We must be the change we wish to see in the world. -Gandhi
So Dylan is establishment? Oh, man........................ nt, posted on February 3, 2010 at 19:56:15
tinear
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 d

No, Dylan was an individualist. Seeger & co were anti-establishment, posted on February 3, 2010 at 22:24:43
Jazz Inmate
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 This really isn't very complicated, tin. When a peacenik talks about picking up an axe and censoring someone, even your ears should perk up.

The very line "no direction home" refers to the fact that Dylan wasn't beholden to any group--not the pop artists of the day nor the anti-establishment artists of the day like Seeger. "You shouldn't let other people get your kicks for you."
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We must be the change we wish to see in the world. -Gandhi
RE: You are absolutely right. He is a poet with a social conscience. And that was it. nt, posted on February 4, 2010 at 03:39:22
patrickU
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 nt

You seem unable to keep on topic. Dylan was an individualist. What does that, posted on February 4, 2010 at 08:46:14
tinear
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 mean? We all are.
You began by saying Dylan kicked the anti-establishment to the curb and I pointed out how incorrect that claim was. Dylan's songs clearly were pro-civil rights: notice I said "songs." His songs are paeans against pretty much all facets of the "establishment." I linked, above, a song which inarguably is against the Vietnam War--- but being Dylan, it could apply to many of them. Seeger's disenchantment, and you make it seem Seeger was threatening Dylan with the axe when he was seeking to sever the electric cord to the state--- was an individual reaction and hardly one by any movement. The displeasure which manifested over Dylan, including during his English tour, had NOTHING to do with any movement of Dylan's away from anti-establishment politics but everything to do with moving away from NON-amplified music.
You continue to attempt to frame Dylan as some sort of apolitical personage to fit YOUR conservative political views. Get over it, Bob wasn't a Nixon Republican.

RE: You seem unable to keep on topic. Dylan was an individualist. What does that, posted on February 4, 2010 at 09:40:31
Jazz Inmate
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 >> You began by saying Dylan kicked the anti-establishment to the curb and I pointed out how incorrect that claim was. <<

No, I began by saying the anti-establishment kicked Dylan to the curb and treated him like a criminal for picking up an electric guitar and singing what was on his mind and in his heart instead of marching to the beat of their drummers like he did early in his career.

>> Dylan's songs clearly were pro-civil rights: notice I said "songs." His songs are paeans against pretty much all facets of the "establishment." I linked, above, a song which inarguably is against the Vietnam War--- but being Dylan, it could apply to many of them. <<

Well given that the establishment embraced civil rights, you hardly need to be anti-establishment to support them. And Dylan's songs went on to be just as critical of the left as the right. Like a Rolling Stone can be interpreted as an admonishment of Joan Baez and other lefties.

>> Seeger's disenchantment, and you make it seem Seeger was threatening Dylan with the axe when he was seeking to sever the electric cord to the state--- was an individual reaction and hardly one by any movement. <<

That's exactly wrong--and makes me wonder whether you even watched No Direction Home. Throngs of Dylan's fans turned on him, not just his companions like Pete Seeger and Joan Baez. Hippie kids in his audiences screamed out insults at his shows, calling him "Judas". This was not just Seeger's reaction--it was clearly the anti-establishment's reaction at large. And for a supposed pacifist like Seeger to even joke about picking up an axe--that is a real eye opener. That speaks volumes. He didn't seem to be joking. He was totally serious. And while he may have made the target of his rage the cords that gave volume to Dylan's music, let's analyze that, shall we? He didn't like Dylan's new image, music or lyrics. His "joke" shows that he wanted them censored. Censorship is exactly what Seeger faced from the establishment during his career, e.g., on the Smothers Brothers comedy hour. If anyone understood censorship or should have been sensitive to it, one would think it's Seeger. Yet as soon as his "protege" broke with the anti-establishment message, it was Seeger who seemed to advocate censorship.

>> The displeasure which manifested over Dylan, including during his English tour, had NOTHING to do with any movement of Dylan's away from anti-establishment politics but everything to do with moving away from NON-amplified music. <<

That's not true. The messages in Dylan's songs increasingly strayed from anti-establishment to include messaging critical of that very movement and to point out its hypocrisies. I mean, the Dylan of 1962 who wrote Masters of War is not the Dylan of 1965 who wrote Like a Rolling Stone. And that's what upset his left-leaning fans. But the Dylan of 1965 had more experience. He had gone to anti-war rallies with Joan Baez. He had turned around and seen the frowns on the jugglers and the clowns after they all did their tricks. He knew what the left was about and he wanted no part of it anymore, and for that he was attacked and criticized. I can relate.

>> You continue to attempt to frame Dylan as some sort of apolitical personage to fit YOUR conservative political views. Get over it, Bob wasn't a Nixon Republican. <<

Maybe not, but he did become a born-again Christian a couple years after Nixon left office. You're not a terribly nuanced observer of politics or pop culture.

I once had very left leaning views. But like Dylan, I grew up. If you are unable, so be it.
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We must be the change we wish to see in the world. -Gandhi
Your last sentence says it all. In other words, my characterization of you, posted on February 4, 2010 at 11:58:41
tinear
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 is spot-on.
You see, Jazz, I lived through that period. Dylan was excoriated for going electric, just as Simon and Garfunkel were. It was exactly the same thing. The two most intelligent folk artists (okay, 2 out of 3: I'd put Joan [Baez, not Collins] in there, too) went electric and this drove the "purists" crazy.
Certainly, Dylan's increasingly apolitical and nuanced lyrics upset folks but you seem unable to appreciate that, as with S & G, leaving behind more political commentary isn't exactly going over to the other side.
As far as what "anti-establishment" meant, you're very misguided. The establishment was for going slow, for the status quo, for aggressive American foreign activity. Civil rights was a "lefty," "liberal" thing and it got through Congress because of a massive, grass-roots movement and lots of arm-twisting by an unlikely player, a Southern Democrat named LBJ. Anti-war, anti-corporate America, anti-racism, anti-arms race--- these were the anthemic threads of the liberal "youth movement."
They still are.
Dylan is an artist, of course, and not a shill. He indeed did mature as an artist though, as with earlier Beatles tunes, the excellence of the younger material remains. Does his 70s conversion and enthusiasm for Christianity dull his earlier works? I don't think so. I think it's merely a progression along the same path.

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