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I think you better reread, that is called "Damning with faint praise"

This is not a critic's reccomendation:

Some other adornments, however, seem unlikely. Little Tommy is able to grab his sister's cell phone and move secretly throughout the house, using his secret knowledge of air ducts and obscure construction details. This development takes full advantage of the Air Duct Rule, which teaches us that all air ducts are large enough to crawl through, and lead directly to vantage points above crucial events in the action. Left unanswered is why the three hostage-takers aren't concerned that the kid is missing for long periods of time.

Some elements exist entirely for the convenience of the plot. For example, the Kevin Pollack character functions long enough to establish his role and importance, then is conveniently unconscious when not needed, then is on the brink of death when Willis desperately wants to revive him, then miraculously recovers and is able to act with admirable timing at a crucial moment. I would love to examine his medical charts during these transitions.


And saying Willis overacts less than others?

Funninest part was everyone in my den singing along with Bruce Willis when he is yelling into his cell phone to the poor little boy, who overacts horribly:

"Tommy, Can you hear me?"


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