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But I'm not judging Eastwood.

I am judging the film. I'm not judging what I think Eastwood's motives originally were, I'm making judgments about the effects made by the film. You seem to be assuming that an artist has total control over his/her product, and that an artwork is a transparent window onto his/her intentions. I don't buy that. The film itself makes demands upon its audience, and it situates itself in the course of a tradition. Once a piece of work is out in the world, it 'belongs' to the audience, not its author, and it's up to them to figure out how it fails or succeeds. And the primary relationship which defines its function in a society is not a three-way relationship between author, work, and public, but between the work itself, other works, and the public.

But, whatever. Very basic disagreements here, no point in our waging a war of deliberative attrition, I think we each know where the other is coming from. I'm just glad we steered the conversation back towards cordiality and substance. Nice talking to you.


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  • But I'm not judging Eastwood. - rhizomatic 13:54:02 03/17/05 (0)


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