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Have you ever seen a Mastroiani movie... really? He is

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extraordinarily "quiet," which makes his expressiveness, when it occurs, powerful. I can't understand how you couldn't notice? He also has a world-weariness which Murray seems to have grown into: Marcello had it from the beginning. The wry smile is also similar. I wonder if Murray would acknowledge what is an apparent "take" on MM's style.


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