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Quit putting words into Corliss's mouth. Here's

what his gist is:
"In fact, we're essentially passing notes to one another, admiring our connoisseurship at the risk of ignoring the vast audience that sees movies and the smaller one that reads us."
He's criticizing critics for not paying attention to the marketability of a film and instead grading it upon it's worth.
Your point is quite different.
One hears ridiculous opinions such as Corliss's occasionally from critics who vainly attempt to separate themselves from their peers; a one-up-personship, of sorts.
How many bottles of Montrachet are consumed each year compared to premium wine coolers?
Now, one may say that Oscars should be awarded based on their simplicity, popularity, budget, and star-factor but that would invalidate what is the stated objective of the award: excellence.
In other words, entertainment may be art but not necessarily vice-versa.


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