Films/DVD Asylum

RE: I want to be clear...

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Given the degree of self-awareness and intelligence that prevails in Kaufmann's work I would seriously doubt that "We're all going to die--- yet, we still have to go on living" would have been written without irony. That is, he probably intended it as a line people would recognize as a cliche and intended an additional dimension of meaning. For example, he could have intended it as a comment on the superficiality of the character who said it."

There's no doubt the main character was full of self-loathing/self-absorption and that the film indulges that self loathing/absorption but it makes fun of it at the same time and is sensitive to the fact that while exaggerating that state it's touching on universal truths about being human and alive and is essentially a journey from self absorption to a kind of enlightenment.

I think out of the three films you mentioned it's most like Eternal Sunshine in that it's weird - in an almost science fiction kind of way - all the way through (as opposed to Malkovich and Adaptation where it veers off in the end to place that might take you out of the movie a bit) and it's easy to accept the strangeness as symbolism and the layers of complexity (which aren't all that complex) as the unwinding of a damaged mind (the character's, not CF's).

I think it was brilliant but not without flaws and I could see where someone could get turned off by the level of self loathing (it can uncomfortable) and not ever really get into the movie.

"The man is only half himself, the other half is his expression." -- Ralph Waldo Emerson


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