Films/DVD Asylum

Movies from comedy to drama to your favorite Hollyweird Star.

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.
You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login

By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username: The Name that you picked or by default, your email. Forgot Moniker?	Examples "Rapper", "Bob W", "joe@aol.com".
Password:	Forgot Password?
	Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:
Your Email:
Subject:

Message Comments

Original Message

Incredible article on archiving film, video

Posted by clarkjohnsen on December 24, 2007 at 09:59:48:
"We are already heading down this digital road ... and there is no long-term guaranteed access to what is being created. We need to understand what the consequences are and start planning now while we still have an analog backup system available." ... Shefter noted that a requirement for any preservation system is that it must meet or exceed the performance characteristic benefits of the current analog photochemical film system. According to the report, these benefits include a worldwide standard; guaranteed long-terms [sic] access (100-year minimum) with no loss in quality; the ability to create duplicate masters to fulfill future (and unknown) distribution needs and opportunities; and immunity from escalating financial investment."

Reminds me of something I wrote over twenty years ago: "78s are the Grecian urns of audio."

clark