Home
AudioAsylum Trader
Films/DVD Asylum

Movies from comedy to drama to your favorite Hollyweird Star.

For Sale Ads

FAQ / News / Events

 

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.

You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login


Login to access features only available to registered Asylum Inmates.
    By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username:

The Name that you picked or by default, your email.
Forgot Moniker?

 
 

Examples "Rapper", "Bob W", "joe@aol.com".

Password:    

Forgot Password?

 Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:  
Your Email:  
Subject:  

Message Comments

   

Original Message

Ron Howards, "Frost/Nixon:" the most

Posted by tinear on January 27, 2009 at 20:50:52:

enjoyable movie I've seen in quite some time.
Frank Langella gives an Oscar worthy performance that easily transcends mimicry: he has breathed an individual character into his role, crafting a complex, fascinating, and--- the most difficult attribute--- mystery into a man American's thought they knew all too well.
Michael Sheen's portrayal of Frost also is fantastic but, because a large part of the dramatic tension is supposed to be Nixon's gravitas vs. the innocence and flippancy of Frost, his character is less richly nuanced.
The other cast members shined. Kevin Bacon yet again proves he is a fine character actor in a menacing role but one which is modulated with the very admirable traits of kindness and loyalty.
The Brit Matthew Macfayden in a role with little "meat" is skillful enough for us to wish he had far more screen time.
The proof that this is a very good film is that after a few moments, you know exactly how the film will unroll: no major surprises are possible within such a famous story. Yet the skill of the telling makes it suspenseful--- and Langella's performance makes it crackle.
After seeing vomit scenes in the past two movies, I almost missed this one not having one. I wonder why the hell so many directors or writers feel it is necessary to so commonly feature what is a singularly rare human act?
Anyhow, you don't have to give a damn about politics or that particular period in American history (though I don't know how that could be) to appreciate the cat and mouse game between these two adversaries.