Films/DVD Asylum

Movies from comedy to drama to your favorite Hollyweird Star.

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.
You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login

By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username: The Name that you picked or by default, your email. Forgot Moniker?	Examples "Rapper", "Bob W", "joe@aol.com".
Password:	Forgot Password?
	Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:
Your Email:
Subject:

Message Comments

Original Message

The problem was the--- at times--- ridiculously over

Posted by tinear on March 31, 2009 at 07:29:15:
the top writing (or ad-libbing, as it appeared) and acting. A more "realistic" acting style is necessary for the Scandinavian method to be successful. Everyone in crisis mode every scene and Anne repeating the same behaviors long after anyone not in a film would put up with it (because she's a famous actress portraying a junkie?) sank this one faster than you can say, "Iceberg!" I also found the endless musician stuff boring, overdone. I wish Belushi would have appeared to smash their instruments after the second or so appearance.