Register / Login
Home
AudioAsylum Trader
Films/DVD Asylum

Movies from comedy to drama to your favorite Hollyweird Star.

For Sale Ads

FAQ / News / Events

 

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.

You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login


Login to access features only available to registered Asylum Inmates.
    By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username:

The Name that you picked or by default, your email.
Forgot Moniker?

 
 

Examples "Rapper", "Bob W", "joe@aol.com".

Password:    

Forgot Password?

 Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:  
Your Email:  
Subject:  

Message Comments

   

Original Message

As Roger Ebert told Quentin after Pulp Fiction was released at Cannes...

Posted by RGA on August 23, 2009 at 13:45:06:

Quentin asked Ebert what he though and Ebert said "it is either the worst film of the year or the best."

From his review of Inglorious Basterds:

A Tarantino film resists categorization. “Inglourious Basterds” is no more about war than “Pulp Fiction” is about — what the hell is it about? Of course nothing in the movie is possible, except that it’s so bloody entertaining. His actors don’t chew the scenery, but they lick it. He’s a master at bringing performances as far as they can go toward iconographic exaggeration.

After I saw “Inglourious Basterds” at Cannes, although I was writing a daily blog, I resisted giving an immediate opinion about it. I knew Tarantino had made a considerable film, but I wanted it to settle, and to see it again. I’m glad I did. Like a lot of real movies, you relish it more the next time. Immediately after “Pulp Fiction” played at Cannes, QT asked me what I thought. “It’s either the best film of the year or the worst film,” I said. I hardly knew what the hell had happened to me. The answer was: the best film. Tarantino films have a way of growing on you. It’s not enough to see them once." http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20090819/REVIEWS/908199995

When I walked out of Kill Bill Vol 1 I thought it was pretty much rubbish - nevertheless I did have a smile on my face at the absurdity of the whole thing. Later I saw Vol II because in for a penny in for a pound. I preferred Vol II in some ways.

A couple of years later I watched them both again and I appreciate them more to the point where what at first I felt was rubbish schlock has arguably transformed into two of my favorite films of the decade.

I am going to revisit Deathproof soon to - just to see how I feel about that film on second view.