Films/DVD Asylum

Movies from comedy to drama to your favorite Hollyweird Star.

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.
You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login

By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username: The Name that you picked or by default, your email. Forgot Moniker?	Examples "Rapper", "Bob W", "joe@aol.com".
Password:	Forgot Password?
	Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:
Your Email:
Subject:

Message Comments

Original Message

I am excessively fond of Tony Gatlif films.

Posted by J.R. on March 17, 2010 at 06:07:31:
Where music is thematic. The North African Zar trance dance scene near
the end of "Exiles" is transcendental. The women's flamenco singing in
"Vengo" is expository, whether you understand the words or not. "Latcho
Drom" and "Gadjo Dilo"? Music as the bones, sinew, and tendons of
existence itself. Thus, few directors make films as engrossing and as
engulfing as Gatlif. Regards,

J.R.