Home
AudioAsylum Trader
Films/DVD Asylum

Movies from comedy to drama to your favorite Hollyweird Star.

For Sale Ads

FAQ / News / Events

 

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.

You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login


Login to access features only available to registered Asylum Inmates.
    By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username:

The Name that you picked or by default, your email.
Forgot Moniker?

 
 

Examples "Rapper", "Bob W", "joe@aol.com".

Password:    

Forgot Password?

 Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:  
Your Email:  
Subject:  

Message Comments

   

Original Message

Can't believe Grits missed the Oxford Murders

Posted by Victor Khomenko on February 6, 2011 at 11:12:39:

Forget the intellectual side (quite pretentious, but still fun), but the film has one of the most beautiful pair of boobs to grace the screen in recent memory.

The film itself? Well, not too bad for a late night viewing, but hardly more. It is a murder mystery for those considering themselves "intellectuals" - they will have a moderate amount of fun, and some of it is admittedly stimulating... even more so - quite unusual in modern cinema, so with all its faults perhaps it still IS a breath of fresh air.

However, that area of interest starts losing its promise around the mid-point, where the film begins to quickly acquire the stinky Hollywoodian flavor, heading for the truly unremarkable ending, with the mandatory explanation.

Be it as it may, worth looking at for the typically good performance by John Hurt (good old school actors are dying at an alarming rate), and Leonor Watling (Talk to Her) as an obligatory eye candy.