Home
AudioAsylum Trader
Films/DVD Asylum

Movies from comedy to drama to your favorite Hollyweird Star.

For Sale Ads

FAQ / News / Events

 

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.

You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login


Login to access features only available to registered Asylum Inmates.
    By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username:

The Name that you picked or by default, your email.
Forgot Moniker?

 
 

Examples "Rapper", "Bob W", "joe@aol.com".

Password:    

Forgot Password?

 Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:  
Your Email:  
Subject:  

Message Comments

   

Original Message

Private Fears in Public Places

Posted by Victor Khomenko on March 14, 2011 at 06:41:49:

The 2006 film by Alain Resnais is intriguing because it provides no answers. Let's face it - we all want answers, we don't like being left hanging. But by sticking to ultimate ambiguity Resnais moves the film so much closer to life that it starts to hurt. Forget the always desirable happy ending... you will be gasping for ANY ending at all... for, in memorable words of my neighbor Joe Biden (dropped during Thomas hearings), life is not a still photo, it is a moving picture, and no matter how long the film, you are still only allowed to see one brief moment of life, and it will just keep going long after you stopped watching.

So Resnais torture is not intentional... perhaps at the tender age of 94 he simply realized it was time to give the audience some food for serious though, or maybe this was his way of telling the viewers "So you think YOU have problems?". By doing so he makes it so much easier for us to related to the characters... let's face it, very few of us will ever get to shoot and jump like Bruce Willis' John McClain, but every one of us will be facing difficult personal choices.

Be assured that mr. grits will not walk away empty-handed either - the Italian-born Laura Morante will make his evening worthwhile.

I liked the film,