Home
AudioAsylum Trader
Films/DVD Asylum

Movies from comedy to drama to your favorite Hollyweird Star.

For Sale Ads

FAQ / News / Events

 

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.

You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login


Login to access features only available to registered Asylum Inmates.
    By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username:

The Name that you picked or by default, your email.
Forgot Moniker?

 
 

Examples "Rapper", "Bob W", "joe@aol.com".

Password:    

Forgot Password?

 Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:  
Your Email:  
Subject:  

Message Comments

   

Original Message

"Mr. Bellamy:" vintage Chabrol, starring Monsieur Depardieu looking as if he's had WAY

Posted by tinear on May 18, 2011 at 12:21:19:

too many visits to all-you-can-eat buffet spreads. But Claude manages to coerce Gerard into a very understated, perfectly pitched performance as a middle-aged detective on vacation who cannot leave a local murder case alone. Complicating matters, as they always do in Chabrol, is Bellamy's visiting brother and his chummy relationship with the detective's far younger and attractive wife.
Chabrol, such is his charm that has taken me a couple of decades to appreciate, doesn't vary the tempo very much; he eschews ALL the clichés of the genre, never indulging in car chases, lead character bravado. Rather, a steady and evenly-paced accumulation of facts and relationships emerge that eventually convince the wary observer that NOTHING is as it first appears, that all the characters are singular individuals--- we assume their future actions from what we know of them at our own risk: after a few Chabrol films, it is best just to lean back and be prepared for the tiny explosions to erupt where least you expect.
I don't think it would be terribly incorrect to view Chabrol as the equal of Rohmer in exposing the Human Condition--- except that Chabrol uses violence as the lens.