Films/DVD Asylum

Movies from comedy to drama to your favorite Hollyweird Star.

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.
You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login

By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username: The Name that you picked or by default, your email. Forgot Moniker?	Examples "Rapper", "Bob W", "joe@aol.com".
Password:	Forgot Password?
	Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:
Your Email:
Subject:

Message Comments

Original Message

OK, I'll chip in. I liked it overall, but I have no class.

Posted by free.ranger on August 9, 2013 at 10:23:56:
It dragged in spots, but I was ready for Tarantino's graphic comic book theme, beginning with using the old Technicolor "cowboy flick era" red lettering for the title and credits. It set the tone right off.

The film broke more ground in the field dug by Mel Brooks's "Blazing Saddles"; digging deeper into the bad old ugly South. A theme that I'm glad to see dragged out into more light. I think that finding a cast to participate in it might have taken some effort.

I may be the only one thinking this, but that wasn't DiCaprio's best work. Actually it wasn't anyone's showcase work.