Home
AudioAsylum Trader
Films/DVD Asylum

Movies from comedy to drama to your favorite Hollyweird Star.

For Sale Ads

FAQ / News / Events

 

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.

You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login


Login to access features only available to registered Asylum Inmates.
    By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username:

The Name that you picked or by default, your email.
Forgot Moniker?

 
 

Examples "Rapper", "Bob W", "joe@aol.com".

Password:    

Forgot Password?

 Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:  
Your Email:  
Subject:  

Message Comments

   

Original Message

I don't get it either...

Posted by tunenut on October 30, 2018 at 22:45:11:

I am not privy to at and t financials. I'm sure they want a Netflix with millions, probably tens of millions of paying subscribers and with filmstruck, they probably have thousands. Whether they make a little money or not, they probably want their employee hours going to more profitable enterprises. But who really knows why a big company does anything.

You know filmstruck is far from perfect. There are plenty of good movies from the last 40 years and very very few on filmstruck. But when you look at the treasures... I counted 33 Ozu titles tonight after watching Floating Weeds. I've seen Tokyo Story and maybe a couple others. I thought about taking a month and working through all of them. It will not happen now. Similar deep dives could be done with Melville, Renoir, Bergman, Fellini, Tati...these are the real deal, not just historically important but watchable for pure entertainment value as well.

I will have a sort of binge for a month. Then see what Criterion will do to provide legal streaming access to its catalog. I hope they get it together soon.