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See it again, then, and notice the masterful way suspense is built about

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the woman... and the tension cleverly built in her scene with the young doctor.
How about the ensemble? The cooks are brilliant, almost Shakespearean relief. Mifune is brilliant, however, and carries the film. In a Hollywood "factory" film, he'd have many lecture type scenes, extolling the virtues of helping your fellow man. Mifune/Kurosawa don't need that. They have other actors make a few comments and then SHOW you how the doctor earned respect. I especially liked the wonderful scene where Mifune/Kurosawa showed good men needn't be wimps. It was a hilarious nod to Mifune's samurai past and an obvious wink at the audience.
A brilliant film about a very serious topic: what's more important than one man helping another, unselfishly?


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