 
|
Audio Asylum Thread Printer Get a view of an entire thread on one page |
For Sale Ads |
|
|
Audio Asylum Thread Printer Get a view of an entire thread on one page |
For Sale Ads |
74.75.127.139
In Reply to: RE: Name a few of those efforts, please........... posted by afilado on June 16, 2010 at 18:21:48
I prob have read a thousand scifi books. Problems in dealing with alien cultures is a common theme, but usually a minor part of the plot, or a subplot.
My 2nd favorite Star Trek TNG episode is Darmok, the one where the captain of this race kidnaps Picard and both go to the surface of the planet. There they face some nasty scifi monster and learn to communicate
by neccesity.
There isn't much in film, and when I say there isn't much, it's all space opera, not sci fi...
The exceptions stand out like beacons to me because they are real sci fi.
You know, part of Contact is deciphering and then the message, and then trying to figure out the intent. I love that movie, few books deal have as much sci in their fi as that one.
If you just want some good scifi, I would gladly suggest a few books.
An old fave of mine is Midite at the Well of Souls.
http://www.amazon.com/Midnight-Well-Souls-Jack-Chalker/dp/0743435222/ref=sr_1_1?ie=UTF8&s=books&qid=1276882113&sr=1-1
Follow Ups:
I guess I misunderstood. I thought you were talking about FILMS when you referred to "many of those" other "efforts", this being the Film Forum.
I was hoping to find an unseen gem or two.
*
.
Glad I could help you.
;O)
.
+
Just not what you think...
Solaris is about a failure to communicate (to borrow an old phrase)
Difficulties in communication is a common theme in scifi. It's been done hundreds of times, quite a few of them were better than Solaris
Solaris was fine for it's time. Aspects of scifi are additive, alien race becomes alien races and then cultures and then cultural clashes and alliances and wars lasting millenia and on
and on.
Nowadays that would be just a subplot.
> > > "Difficulties in communication is a common theme in scifi. It's been done hundreds of times, quite a few of them were better than Solaris."IMO, Solaris (along with "Fiasco," "The Invincible" and "Eden") is still the definitive story for expressing the futility of any meaningful contact with a truly alien mind. I think Lem's 'no final outcome' approach to SciFi writing is unsurpassed and holds up very nicely to this day, though Arkady and Boris Strugatsky come close in "Roadside Picnic," as does Vladimir Savchenko in "Self Discovery."
Of course, none of those amateurs can compete with Joe Menosky's "no comprende, senor - we only speak English in the form of historical allegory" masterwork "Darmok."
"We lived for days on nothing but food and water." W.C. Fields
Edits: 06/18/10
Along with..?We were talking about Solaris, not Solaris and everything including the kitchen sink..
If an alien were sufficiently different, communication might not be possible. Heck we might not even know they were there. But people manage to
do things you would think were impossible, and fairly often.Self Discovery is new to me, I just ordered it from Amazon.
Haven't read Roadside Picnic, but it's out of print and absurdly expensive.
Edits: 06/18/10 06/18/10
In case you missed that fact - this is Film forum, not Sci-Fi.
Your approach to such films is still that of a teenager... we all go through stages like that. Nothing's wrong with that, except that it blocks your perception of what FILMS are about. You are so engrossed in the subject material that artistic means, human insight and emotions are becoming... ahem... alien to you.
I mentioned before - Solaris is NOT about some "contact"... it is about human struggle with self-identity, love, meaning of life, laments, conscience, guilt, self-examination... these are universal things that happen to anyone, in any country, on any planet. That all that is happening on some "station" has little significance. That's what makes that movie so different from say, the 2001, which is a lot of silly effects filled with much hot air, and not much more. Solaris could have been very well set in a 14th century France, with the same impact and trepidations. THAT is its strong point, not some "contact".
I love this place.Snorlaris is about going to a weird planet and finding alien life and not being able to deal with it, much less communicate. You just dodged the whole freaking plot of the movie.
It was based on a book, and the book was Russian scifi. I happen to love Russian scifi, but as with all things Russian it rises and falls with the strengths and weaknesses of the Russian culture.
OK, maybe I exaggerate a bit, but you get the point.
I don't see this as a film forum, I see it as a poseur forum. I also see your implied restriction about not discussing the origins of a film a childish fit of pique.
Edits: 06/22/10
Coming from a sci-fi expert, that is quite a whopper.
I don't think you can, but try anyway.
Bummer!
.
the author is Polish, right? So it's a Polish Science fiction novel.
Stupidity is NOT a victimless crime.
For some reason I thought he was Russian.My bad.
That was the first book I read by that author, maybe it was the ambiance...
Edits: 06/25/10
Post a Followup:
| FAQ |
Post a Message! |
Forgot Password? |
|
||||||||||||||
|
||||||||||||||
This post is made possible by the generous support of people like you and our sponsors:
Top of Page ]
[ Contact Us ]
[ Support/Wish List ]
[ Copyright © 2025, Audio Asylum, all rights reserved ]
