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GQ has a terrific article on the making of Goodfellas.
To celebrate the 20th anniversary of this American masterpiece, the mag interviewed scores of people who worked both in front of and behind the cameras.
Lots of juicy bits. Some of it's news, some of it isn't (such as the revelation many extras were real wise guys) but it's all fasciniating.
If you appreciate Goodfellas you can't miss it. It's my favorite mob movie ever - exhilerating, virtuoso filmmaking.
Follow Ups:
With perhaps hundreds of thousands of films out there, to limit the discussions to a handful of common titles - seems such a travesty.
When was last time someone here mentioned any great director from outside the US (I mean besides tin with his Bela Tarr fixation)?
Soon there will be people with PhD in Star Wars and Graduate work in Goodfellas, as if these represented the pinnacle of human achievement.
How about some... ahem... diversity?
Lighten up.
You got a peculiar idea of what constitutes a travesty. Posting a link to an interesting new article on an American classic ain't it.
Meanwhile, there are plenty of threads on this forum discussing foreign filmmakers. You want to discuss great directors from outside US?? Feel free.
Check my posts...I think you'll find my range of film interests to be fairly wide ranging.
Past to present, here's a few filmmakers I've mentioned on this forum:
Jean Renoir
Jean Cocteau
Carl Dreyer
Georg Pabst
Fritz Lang
Sergei Eisenstein
Jean Vigo
Jasujiru Ozu
Josef Von Sternberg
Akira Kurosawa
Kaneto Shindo
F.W. Murnau
Ingmar Bergman
Sajiit Ray
David Lean
Luis Bunuel
Bertrand Tavernier
Michael Powell
Carol Reed
Jean Luc Godard
Francois Truffaut
Jean Pierre Melville
Alain Resnais
Nic Roeg
Michelangelo Antonioni
Pier Pasolo Pasolini
Vittorio De Sica
Roberto Rosellini
Robert Bresson
Kon Ichikawa
Kenji Mizoguchi
Abbas Kiarostami
Andrei Tarkovsky
Lindsay Anderson
Yimou Zhang
Susanne Bier
Bent Hamer
Atom Egoyen
Wong Kar Wei
Krzysztof Kieślowski
Michael Winterbottom
Peter Weir
Peter Greenaway
Jane Campion
Michael Haneke
Danis Tanovic
Andrei Zvyagintsev
Alfonso Cuaron
Stephen Frears
Edward Yang
Pedro Almovodar
Florian Henckel von Donnersmarck
(to name but a few)
So...who ya wanna discuss? I love at least one film from each of the above. Pick one.
Or, how about an obscure but important (and highly influential) avante garde American, Stan Brakhage, and his new Criterion release? Wanna take that on?
As far as I'm concerned, no one here has to appease the culture police to discuss movies he/she liked, loved or hated, including genre films. Many of us here are Americans, so why shouldn't we discuss Scorsese and one of his best works? Or any American film/filmmaker for that matter? There are plenty of mediocre blockbusters and popular misses that I don't care for but that inmates want to discuss - they can go right ahead but I don't need to pee all over the thread on why I don't like The Dark Knight.
And we'll have fun with SF and comic movies too, if we want.
Meanwhile, the subject in this thread is Goodfellas.
Pffft!
impressive comeback. Seriously.
Perhaps I now won't be so shy, and will open up that long-planned thread comparing Michael Bay's oeuvre to the complete works of Kurosawa!
"dammit"
.
nt
Astonishing looking, aren't they? Although I confess they look uncomfortable as hell.
Yeah, one of my favorite movies, and Joe Pesci absolutely deserved the Oscar.
...the movie and Scorsese should have statues that year too - IMO Liotta's performance is way underrated as well. He's the glue that holds the whole thing together.
I remember when I first heard the studio wanted Madonna for the role of Karen Hill - unbelievable. I saw her on Broadway in Speed The Plough...inept is the kindest thing I can say about her thespian abilities. shw wasn't even good high school level. Thank God Marty got his way and cast Lorraine Bracco and Ray Liotta...Can you imagine Tom Cruise and Madonna in those pivotal roles? RETCH.
.
Share a bowl of grits with someone you love tonight.
..vision, focus and wisdom.
Cheers
I especially like the comments by Michael Imperioli about how the Spider scene was largely improvised, and questioning whether Sopranos would have existed if not for Goodfellas. But all the comments gave great insight.
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We must be the change we wish to see in the world. -Gandhi
Edits: 10/05/10
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