![]() ![]() |
Audio Asylum Thread Printer Get a view of an entire thread on one page |
For Sale Ads |
67.160.130.12
(and an unbelievably beautiful Elizabeth Taylor, when a very young child, that absolutely stole the scenes from the unfortunate little girl playing young Jane....) make a terrific couple in this Aldous Huxley screenplay reduction (the director and Houseman also were credited). Yes, it's melodramatic. But this story, told again and again (and Fontaine also starred in the Hitchcock/DuMaurier update that was "Rebecca") has the power to enchant those that let it.
One curiosity: Welles gives a marbles-in-the-mouth reading to his aristocrat that almost certainly influenced the young Marlon Brando in very dissimilar roles.
Watch it with your love interest and see if her tears don't flow....
Follow Ups:
Were better. Joan Fontaine was too pretty to be Jane.
"Lock up when you're done and don't touch the piano."
-Greg House
Not a very good film at all, over over everything, and certainly no match to Rebecca who is one of the best, ever.
This one just feels factice...But there moments to enjoy.
Taylor's character, Helen, is one of the screen's great ones.
Welles, btw, is reputed to have assisted quite a bit in the direction. Note the strange camera angles, the chiaroscuro lighting, the unusually framed closeups? And the glorious, though brief, cameo by Agnes Moorehead: pure gold.
Welles creation I'd put against that of Olivier's, too. More.... manly!
Well actually before posting I look at some clips, and my feeling stay: A feeling of carton pāte...
Now the angle of the faces as photographed were astonishing, that is true but the whole remain unconvincing.
For me.
It is a B movie.
While Rebecca an A+++++ Or some of Lean“s in the same spirit too.
Post a Followup:
FAQ |
Post a Message! |
Forgot Password? |
|
||||||||||||||
|
This post is made possible by the generous support of people like you and our sponsors: