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In Reply to: RE: Since there is no objective measure, Best = Favorite posted by Victor Khomenko on December 01, 2011 at 17:17:13
great films. And "Breathless." And.... and.... and.
And that's just from France. How to compare Tarkovsky to Eisenstein, much less Stevens or Wilder? And Chaplin to Tati? It's impossible to say who's the greatest director much less the greatest film. So many films were revolutionary for their day, but years later, after many of their "groundbreaking" ideas became commonplace, what then?
There are more than a few films that I can recognize as "great," but that I don't like. That's another discussion....
Follow Ups:
Sometimes you just want a movie to enjoy, like free massage at the Venetian.
And don't underestimate the staying power of the gems like Dirty Harry and Die Hard! Great films? Fornicate, yeah! :)
Greatness should be defined as excellence at achieving the intended goal, not being able to subtly tickle some Cambridge pseudo-intellectual's ego. Ali was a great fighter, Feynman a great scientist, however different intellectually their respected pursuit might had been.
Waiting for my third DVD of Satantango, rediscovering the joy of watching the paint dry! :)
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has shown me a different something, made me ponder something new. Tarr's "Damnation" is one of my very favorite films--- the lead character just seems to embody "modern man," perfectly.
I wish Netflix had a hardcopy of his "The Man from London." It was available streaming, and I streamed it, but I dropped my streaming account and now I'm shit-out-of-luck. Tarr's latest, and he has said his last, isn't available yet at Net at all.
There are, to be sure, some stunning images in Satantango, but I think they are more piercing in TMfL. Also, due to its "normal' length the film is more "together", more poignant, focused.
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