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No, see it again! The young girl is marvelous. And her relationship with Elizabeth

Taylor's character, Helen, is one of the screen's great ones.
Welles, btw, is reputed to have assisted quite a bit in the direction. Note the strange camera angles, the chiaroscuro lighting, the unusually framed closeups? And the glorious, though brief, cameo by Agnes Moorehead: pure gold.
Welles creation I'd put against that of Olivier's, too. More.... manly!


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