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David Hemmings stars in this slow moving depiction of an arrogant fashion photographer in mid-sixties London who, without realizing it, photographs a murder. The central scenes, where a series of photographic blow ups leads him to the truth, are spellbinding. Great music by Herbie Hancock and a performance by The Yardbirds add to the fun.This is one of my all time favorites. For years I've been stuck with a murky Criterion laserdisc transfer, off center to boot. Today the new DVD arrived in all its anamorphic splendor. I look forward to watching it tonight.
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Follow Ups:
I've always liked it. Linked in my mind with the JFK, MLK, and RFK assassinations.We never really saw the evidence in those later realities IMO. We never will, either.
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I have seen it once more a couple of months ago, and it stands as a portrait of that culture which flowered in London at that time -Fashion, a youth lacking of any solid motivations...- but not much more than that.And the McGuffin it relies on doesnīt hold enough water for anybody who knows a bit about photography, either...
Anyhow, and as it has been said here, most of us are looking at it through tinted glasses, as it brings powerful memories of crucial times in our lives...
Regards
hit our local "art" theatre and caused a shit storm. At the beginning, when Hemmings romps with Jane Birkin and the blonde and pulls off thier clothes amidst all that background paper you could have heard a pin drop in that 1968 audience. People were spellbound, shocked, mortified, titillated, you name it. As soon as the scene ended there was a great rush of motion and people breathing. Amazing. How much we've grown up now.That film propelled me and other guys to get our first cameras. I will buy the DVD.
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I discovered that there a great commentary track included in this new DVD production.
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s
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It is more than a film. It is the 60īs.
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I love that Hemmings has what is basically a car 'phone in his Bentley. Talk about cutting edge.
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My gang and I in Nice use to dress as he did... Clarks and this jeans. And jung Jane Birkin....
Who where the days...Now david is a permanent resident too.
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Have you seen it? I haven't, and imagine it's bad. But I always thought the two would make a fun double feature.
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I watched this last night. If you don't expect another "Blow Up" or "The Conversation" it is enjoyable.
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Actually this Brian Depalma film is a tribute to both "Blow Up" and Coppola's "The Conversation". I have it on laserdisc and watch it now and again, most usually whrn I watch one of the others. It's far fetched but not bad.
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It IS bad.
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I think it's the best thing DePalma's ever done. The way he ties in his obsessions with voyeurism and technology and thrillers and humor...Travolta gives a great performance, and as it is pointed out in the film, Nancy Allen has a "great scream."I personally think DePalma has shot great sequences, but I don't know if he has directed a great film since 1981 and "Blow Out."
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as exciting and chilling as any of the Master's (Hitch, of course).
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I am not a Palma specialist but this one did not my love, it was some how amateurish I found back then, but it is long ago...Carry was nicer.
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When "Carrie" came out, Pauline Kael reviewed it in the New Yorker. She said it would probably be DePalma's first big hit because it was his first film with "heart."Because my wife and I were in high school the year it came out(1976), seeing "Carrie" is a little like opening a yearbook for us. The clothes, the shoes, the hair! And I love the pop song DePalma uses in the background during Carrie's big slow dance "I Never Knew Someone Like You Could Love Someone Like Me." Really takes me back!
I'd better watch out or I'll get nostalgic for the Seventies!
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Great film. I guess I'm a little more intrigued now by Blow Out.
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The "Conversation" is a great film - I saw it for the first time this past weekend. I remember "Blow Up" being a great film in it's day - I wonder how it would hold up today. "Blow Out" on the other hand has no such pretensions - it's entertaining, but not great.
Regards,
Mike
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...favorite Coppola film and contains Gene Hackman's finest performance.I was knocked out when I saw it in college and I haven't changed my mind since. Yes, a great film.
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Coppola admits in the "extras" on the current DVD that the final "He'd kill US if he could" is indeed a different recording than the one we hear all throiugh the film. Somehow, knowing this does not (for me) diminish the overall power of this realization.
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z
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