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These two both feature Robert De Niro as the lead experienced bad guy
and each has a lot of carnage laden gunfights. In each De Niro bonds with another bad guy who gets killed toward the end. Although "Ronin" was written largely by an uncredited David Mamet it has little plot so "Heat" comes out as the more literate film. But in "Ronin", master director Frankenheimer captures a wonderful sense of place in the large and small French cities and ountryside. "Heat" also features relationships with women, all three of whom would like their men to stop being obsessed with their work, be it crime or law enforcement. Aside from the Irish Deidre there are no strong female leads in "Ronin".I watched these two just by chance on consecutive nights abd enjoyed them even more this second time around.
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Follow Ups:
and one of my all time crime faves. After seeing it several times I regreted that I couldn't be on DeNiro's crew. He really took care of those guys--a study of honor among thieves. Plus, the scene between he and Pacino was priceless, much the same as Walken and Hopper in True Romance.
( huh? )
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I never really liked Ronin. To me it seemed a bit too "action" oriented at the expense of plot (and charater) development for me.The more recent Robert D movie that I thought was really good was The Score. He had a relationship with a woman in that one too.... Plus Edward Norton did a great job posing as a mentally handicapped janitor.
its chase scene. ~AH
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the scene when they were doing the exchange with the arms dealers in the tunnel. De Niro's understanding of the risk and his contempt for "Spence" (Sean Bean) are palpable. Having been in very strange places and seen similar fools, it sent a chill down my spine.
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in "Ronin" De Niro was a good guy posing as a bad guy, not really a bad guy.And DeNiro truly bonds with Pacino (the "good guy") in "Heat".
But your points are quite well taken. Frankenheimer does indeed get the "feel" of his locations but overall "Heat" is the more satisfying film to me.
But wouldn't you say that De Niro's closer bond is with Bthe Brad Pitt character, the one he breaks his 30 second rule over?
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Pitt was in neither movie that I recall nor according to the IMDB.The character you refer to seems to be Kilmer's character in "Heat". If so you have a point, but that relationship was "father and son", not combatants on the battlefield who actually come to like and admire each other. The image of Pacino holding De Niro's hand as he dies is quite aomething.
Even so, De Niro invests a great deal of energy in Kilmer's character.
It is gratifying that Michael Mann is finally getting recognition from critics. I frankly think his movie "Theif" with James Caan was before its time and quite influential. Even Tuesday Weld ain't bad.
If I have missed something, please inform!
I always get those blond handsome guys mixed up. My apologies.
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look alike. Of course my hair is more white than blonde, now. And the last time I was as ripped as Brad in "Fight Club" or "Troy" was, er . . . uh . . .Never mind!
If you enjoyed 'Heat' then I think that Michael Mann's 'Thief' is required viewing. The soundtrack by Tangerine Dream is outstanding and way ahead of it's time. A great, smart heist film.
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...a little seen TV movie by Mann called LA Takedown, which was the roughcut for Heat.
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the first "synthetic" score in a major film release? I think it was but I stand to be corrected.I really like that film and I had the good fortune to see it in the theatre in its initial release. It caused quite a reaction in the audience. I do not know if it has made DVD yet, but I own the laser . . . quite nice!
If by synthetic you mean using only electronic "instruments" the "Forbidden Planet" was the first.
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Plan on revising and reposting my review of "Forbidden Planet" hopefully
in near future, procrastination has ruled so far. ~AH
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