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Ever since I saw this disturbing 1966 John Frankeneimer film on TV in the wee hours I have loved it (maybe partly because an early scene takes place in those wee hours). Shot in widescreen black and white by James Wong Howe, it makes multiple terrifying use of weird camera angles and close ups to add to its overall disorienting effect. In it, a fiftysomething married banker living in the suburbs recieves a telephone call late one night from his best friend, who supposedly died six months ago. It turns out that the friend is recruiting for the company that faked his death and gave him plastic surgery and physical therapy to assume a brand new identity. The banker goes to the company and arranges for a similar fake death and then is changed into a new man, played now by Rock Hudson in what is probably his best role. When the new life as an artist in hippie-filled Malibu grows tiring, he seeks yet another identity, with tragic and horrific results.A chilling scene for me is when Hudson returns to visit his widow and finds out the truth about her and their long term marriage.
Available on laserdisc and DVD. A vastly underrated masterwork.
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Follow Ups:
Underrated certainly, but still very" Seventy ", actually I think that it is one to have seen.
It has a certain " Night of the dead " feeling, donīt you think?
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The black & white cinematography has a very raw, experimental look. I read an article once that the Frankenheimer had the cinematographer do several things that he did not really want to do and they argued all the way through shooting...But then the cinematographer (whose name I cannot remember right now...wait, was it James Wong Howe?) was nominated for an Oscar and everything was OK.Rock Hudson's performance is terrific...now if we could just get "Pretty Maids All in a Row" on DVD, with that terrific shot of him at the door when he realizes that he has been caught by the student he has been mentoring!
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Remember " The strawberry Blonde "? Yes it was the same photographer.
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