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Maybe I just wasn't meant to see it in 1980. Talk about a movie ahead of its time...And it seems to have affixed itself to many other writers' and directors' minds over the decades.
Sopranos-type stuff now looks like a major rip-off, and a dilution.
The opening scene, you recall, the rehearsal in front of the mirror... I said to myself, Damn this reminds me of Ian McClellan's Richard III (which I love). And then by God! if Jake doesn't say, "A horse! A horse! My kingdom for a horse!" -- the most famous line from Richard III. Could McClellan have staged his opening soliloquy in front of a mirror, having seen Raging Bull?
Everything about it was superb. And I flinched whenever he hit the women, so believable did it seem.
And didn't Sugar Ray look great? (Yeah, yeah, an actor...) And Joe Pesci in a real role?
I think I skipped it at the time because who wanted to see another boxing (or horseracing) movie? Plus I was way above such things at that time, as opposed to now, when I'm merely above them.
Saw it at the Brattle, same theatre I'd seen my first foreign movie at. Memory lane... Wild Strawberries...
Afterwards I stopped at the John Harvard Ale House for a quick one. It had been a long time since I'd enjoyed the night life in Harvard Square. Well actually it was more the early-evening life. Then I went home.
I paint the town now with a smaller brush.
The John Harvard is famous for a story I tell. I went there just after it opened, sat down at the bar and when asked, said, "I'd like your bitterest brew." The bartender drew himself up straght and replied, "Sir, our beers are not bitter!"
Last night, twelve years later: "I'd like your bitterest brew." "Coming right up! DPA! Devil's Pale Ale!"
clark
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Probably one of the greatest movies ever. I'm sure it's on many a top ten list. It's on mine. Easily, IMHO, the best of the 80s. You've motivated me to put in on my queue list...thanks...
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never saw:
Cheers
Friends
Frazier
ER
Everybody Loves Raymond
Fear Factor
and a host of others...In my case, I don't think I'm missing anything...
I have never seen any of those TV shows eother.
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Heh Clark...what about Grendel's Den? That's the place to drink in Harvard Square IMHO.
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And now I whistle "singin in the rain" all day...me and my droogy-woogs. ...gives the wife a pain in the gulliver.
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It's all a ruse.
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Clockwork Orange unrated version has to be one of the most memorable pieces of (movie?) I've ever seen..
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Grins
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The cinematography was designed to look like the famous Weegee fight phots. There was also some under- and overcranking during the fight sequences.I found some of the intimate scenes between Jake and his wife to be uncomfortable, so voyeristic were they.
The long tracking shot was revisited in "Goodfellas".
And De Niro as Jake doing Brando as Terry Mulloy? To die for.
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...the greatest whistler who ever lived? The great Elmo Tanner!As the film progressed throught he years, the music was appropriately selected. The breakout hit of '47 was Ted Weems' Heartaches (with Tanner as soloist), and it was the only selection that the director turned up to full volume.
The subject was rich. I have met "la Motta" on several occasions. Not a "primal force" but more accurately "a petite primal force".I actually think the film captures his intellectual prison, his pettiness and his fearsome ability to project a physical presence/eveyday violence quite well. Plus, having done Golden Gloves (Feets, Don't Fail Me Now!) I may have a different perspective from many.
BTW, I met la Motta through the "good" graces of Rocky Grazianno.
Long story! But sheer happenstance.
I cannot say I like the film, it is not something I watch frequently. After all, boxers are only a proxy for warriors. But I admire the film immensely. Scorcese perceived the subject with startling clarity!
d
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