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What happens when two people meet and are desperately in love--- but one of them loves another? Certainly, in the hands of most directors, this would be melodrama at its best, or worst.
But Visconti is a master of illusion: The sets in this film are almost surreal, as if theatre sets had been moved and filmed outdoors, as claustrophobic and mysterious as the emotions of the characters. The score by Nino complements the mood, alternately dashing and elevating our hopes.
Antonioni and Fellini covered the same ground, that of disaffection and a sense of purposelessness in post-war Italy and the seeming impossibility of love after such a shock to the human soul, but in starkly different ways.
Visconti shows hope is indestructible and that, corny as it sounds to moderns, love is eternal.
(For the action afficionatti, all is not lost: there is a realistic fight scene...).
Do not neglect this film if you enjoy Italian cinema.
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Follow Ups:
Haven't seen that one.
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the world weariness of Marcello is a nice counterpart to those other protagonists.
You may even compare this film to the French post-War film you recently posted about, That Night at Maud's.
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Turns out my wife remembered us seeing it... must be my advanced age. She even remembered the Dostoyevsky's novel. As she put it - "Dostoyevschina" - not a complimentary word. Now I seem to vaguelly remember it too. I corrected your slight miss-spelling for those wishing to search for it.
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as
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But since I do not speak Italian (nor Spanish or Portuguese) I simply copied the title from imdb.I believe it is also masculine in German... so go figure.
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