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Italian neo-realism films, and I'd argue one of the finest ever.
Based on Cain's "The Postman Always Rings Twice," but elevated to high art by Visconti's brilliant direction and the amazing performances by the star-crossed lovers. The wronged husband also is beautifully played, Visconti eschewing the easy path of making the victim of his heroes seem worthy of his terrible fate.
Cinematography, attributed to two men, is stellar. The opening shot from the truck interior, with the almost overwhelming score, sets the stage.
This is by far the best interpretation of the novel.
Follow Ups:
If we would not know that for ages!
idea to post reviews of old "classics" here to remind those less erudite, film-wise, than you that old films still hold their power.
Now, as your penance, go and see (and post your thoughts) about "The Children are Watching Us."
I seldom read their postings.
I hasten to add because politic has an narcotic effect on me, not because of their being as such.
Good I will post at the latest, hum...on Sunday.
I hope you will display your usual sense of non- humor writing me back " bla-bla..."
in Germany.
Povre petit...
But it was gently said to you tin...
a
BTW-- Pauvre petit....
Agree with you; it's a wonderful film!
Grins
a
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