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In that sense Sheer Madness is not unique. It has the footprints of several great German directors, but it is still different enough to keep you interested.The film is made by a woman, and is - in addition to speaking the universal human language - about women. Usually I walk away totally unimpressed from such films, as they tend to have not much else to show besides some social statement... usually a weak and trivial one at that. This one goes deeper... although it too eventually slides towards trivialities.
Some folks love Hanna Schygulla, some hate her... I fall squarely in the middle. Without any questions she is one of the most significant actresses of the period, yet somehow failing to grab my heart. In this movie, however, she truly shines - as she does, for instance in The Bitter Tears of Petra von Kant - one of my favorite films of hers... she was, after all Fassbinder's favorite muse.
For her performance alone this film would be worth a rent (or a stream), but the director managed to shoehorn in some bergmanesque dark story, which, actually, is the most interesting of the several parallel story lines.
All in all, an uneven piece of movie making, still deserving a look.
Edits: 11/30/10Follow Ups:
Then come back to for another tasting and the realization that a true master is stirring the pot.
J.B.
particularly multi-faceted. All rather lifeless, bloodless.
Back to Hanna: she had so many roles, so many quite different ones, but I can't help thinking how, after so many great roles, she still didn't "impress."
A good actress, in other words, but one who didn't rise to the quality of her great director.
Maybe she IS that woman who is behind every great man... like a rocket booster that does its invisible job and then goes into the shadow, if not oblivion.
Be it as it may, my wife now wants to revisit all her films... which should should keep us busy for quite a while... :) Plus usually you get tired half way through any such marathon and feel like changing horses.
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stop.
Once you get used to his world, it's as addictive for the viewer as obviously it was for his ensemble. It's quite unlike anything else, really, with its strange criminal element, its emotionally devastated zombies, and its ironically honorable thieves, whores, and murderers.
It might be an interesting exercise, though, as I suspect there will be films available today that were not years ago.
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films.
g
with a full frontal shot thrown in for those who are so inclined.
fds
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