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In Reply to: RE: A ridiculously weak year for English language (including handicap genre) films. nt posted by tinear on April 27, 2011 at 08:48:00
I'm not saying 2010 was a landmark year for movies in any language but it was a year that's been rather underrated IMO. How many high water years can you have anyway? Ebb and flow, ebb and flow.
In fact, there were some terrific indies and more than a couple quality commercial releases, which is a "good" year in my book. And that's exclusive of several terrific foreign language movies.
Consider these five outstanding and compelling English language films from 2010: 1 American, 1 British, 1 Irish and 2 from Oz. I believe the first three are among the absolute top 10 films of this or any year. All five of these could be considered "genre" movies but that doesn't lessen their excellence one whit:
Winter's Bone (Debra Granik USA)* * * * * (5* of 5)
Fish Tank (Andrea Arnold, UK) * * * * * (5* of 5)
Animal Kingdom (David Michod, Australia)* * * * * (5* of 5)
The Square (Nash Edgerton, Australia) * * * * (4* of 5)
The Eclipse (Conor McPherson, Ireland) * * * * (4* of 5)
Here's the thing about the films above: they are all, with the exception of The Eclipse, directed by first or second time feature directors. (Eclipse is Irish playwright McPherson's 3rd feature film.) Yup...4 out of 5 are from relative NEWBIES. If there's any justice in this world, we'll be seeing more from this talented group. May they all find financing/distribution for their next projects and stay far, far from Hollyweird.
Then there's these interesting English language films from last year that hardly anyone saw:
The Killer Inside Me (Michael Winterbottom)
Please Give (Nicole Holofcener)
Ondine (Neil Jordan)
Another Year (Mike Leigh)
All Good Things (Andrew Jarecki)
Never Let Me Go (Mark Romanek)
Get Low ()
Cyrus (Duplass Brothers)
...and everyone already has an opinion on these widely distributed notables (which I find good to very good indeed):
True Grit
The Social Network
Black Swan
The Ghost Writer
127 Hours
Toy Story 3
The Secret Of Kells
How To Train Your Dragon
...and The King's Speech. (We're up to 22 now.)
The British Red Riding Trilogy is really good but was originally made for TV so mentioned but not included.
Then there are several critics' faves - The Kids Are Alright, Blue Valentine, Rabbit Hole etc - but which didn't grab me (YMMV of course). That makes 25, not inlcuding some popular big releases some inmates liked such as Shutter Island and Inception.
So there you have it.
Not an interstellar year but hardly a desert. A year like a lot of years and better than some.
I'm sure there's some good flicks from the festival circuit I overlooked or that didn't get national distribution. My list also doesn't take into consideration some truly fine docs such as Restropo, The Inside Story, Exit From The Gift Shop (if this on is truly a doc), 45635, Waste Land, The Art Of The Steal and The Tillman Story. We are still in a golden age of documentaries, let's enjoy while we can.
Not a terrible year for English language films at all.
Here's my first tip for 2011: English animated film My Dog Tulip. You heard it here first.
Follow Ups:
there were several excellent documentaries and animated films from the English-speaking world: Restrepo; Exit through the Gift Shop; Book of Kells; Pat Tillman Story; How to Train your Dragon.
But foreign films really dominated drama: Enter the Void; White Ribbon; Secret in their Eyes; Carlos; Mesrine; Dogtooth; Mother--- and this is off the top of my head w/only one of many Asian films represented. Chinese-speaking countries, Argentina, Brazil, Mexico, S. Korea, Thailand, Hungary--- they've moved beyond the Hollywood dominated ideas that have overwhelmed and consumed the English-speaking market. The veteran English directors mostly are deadly bores, long on cinematic lectures about the woes of the proletariat concealed in depressing and decadent films. Enough, already.
...what did you really think about The Square, Animal Kingdom, The Eclipse and Fish Tank? Or did you really see them?
I agree with you on the foreign language films you cited, and some others unmentioned as well.
like a seamy, squalid little film. Eclipse, sorry to say, looked silly. I don't believe in ghosts and find their being taken seriously.... well, silly. I will see it because of Ciaran.
Animal Kingdom was good, brutal entertainment, but certainly NOWHERE near the level of Mesrine. I did admire it's toughness, non-romantic portrayal of a vicious family. The Square I saw some time ago. Didn't impress me, but several people recently have mentioned it so I'll watch it this week, again.
Again, originality largely is absent from our English-language films: the weight of tradition, perhaps, is too heavy? The exciting, different films, like, "Let the Right One In," are not being made here. I forgot to mention, earlier, Russia as a trove of good film, also.
I totally agree with your assessments. Indies have almost always been great. Many of them are definitely Oscar material, I don't know why they never make it though.
AP
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