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best films" of a few years ago, "The Death of Mr. Lazarescu."
Christi Puiu wrote, directed, and acted the lead--- and did a brilliant job in all three. Now, whether a deep character study of a very troubled man who still remains a cypher will interest you--- that's the question.
A middle-aged man with little or no visible emotion, except a proneness to taking affront easily, goes about his quotidian activities, interacting in complex, mysterious (because we have no back story, no perspective) relationships with family members, fellow workers, and acquaintances. Slowly, we realize his furtive, secretive movements will lead to tragedy, though no one gains the least hint of this before the acts.
We live in a world where random acts of violence relatively are common; fictional portrayals, perhaps to mollify the nervous observer, often center on playing out details that explain the horrific acts which themselves are made "exciting."
Not so with Puiu's film.
This is what I'd characterize as a "deliberate" film, eschewing the more popular "slow" characterization because of its pejorative connotation; actually, the film moves at a realistic pace, it is most films that are accelerated because of commercial pressure to "entertain."
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It is torturous, without any doubt, but it IS good.
Also good, BTW, was the Distant, so thank you for good recommendations!
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Yer late to the party!
Posted by mr grits (A) on July 28, 2012 at 20:09:12
Of a Buenos Aires taxidermist who lives in a fantasy crime world that soon becomes a twisted reality. Ricard Darin (Argentina's finest) plays the epileptic Esteban who finds himself on an ill-conceived hunting trip that turns ugly and fuels his fantasy of a secret criminal life. Even though this film is 2 hours, 14 minutes, I can't say there isn't a single frame that doesn't belong to the story. The actors and story-telling are spot on.
Even though this film is from 2005 it has legs and deserves 3.5 outta 5 with a bullet.
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To me it is painful to watch.
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A film for someone who just won $60M lotery.
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First we take Natasha... then we take Poulin.
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It has been a fashion in Europe, and as any strong medicine it should be taken in moderation. Andrey Rublev is a masterpiece not because it moves slowly, so trying to create another great movie by simply slowing it down often backfires. Tarr is good, but sometimes I feel commits the sin of over-indulgence.
I started watching the Aurora, and already am getting the feeling that things could be said faster. Too early to speak of the whole movie, though.
As far as the spoiler - one simply can't avoid knowing this film is not going to end in laughter - read any discussion on line, imdb, or just recall the "Death of...".
From Netflix: "slow-burn drama as 42-year-old Viorel, a distraught engineer who takes drastic measures to end his emotional suffering after enduring a devastating divorce."
Not exactly the TV sitcom material.
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Interesting. I will seek it out....in spite of the apparent spoiler. :-)
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